Nicolas Wiese & Claudia van Hasselt

Nicolas Wiese


Nicolas WIESE was born in 1976 in Itzehoe, Germany. He is an audiovisual artist, designer and composer/performer of electroacoustic music. In 2005 he graduated in illustration, communication design and communication theory at the Hamburg University of Applied Sciences. He completed his post-graduate studies for sound art at the University of the Arts in Berlin, while for philosophy and sociology at the University of Hamburg. Wiese's art consists of a mixture of different techniques, combining installation with spatial performance, relational music, graphic art, drawing, collage, radio sounds and experimental film. He currently lives and works in Berlin.


Claudia van Hasselt


Claudia van HASSELT was born in 1973 in Stuttgart, Germany. In 2008, he graduated in operatic music at the music academies in Cologne and Hanover. She specializes in contemporary, trans-traditional music and interdisciplinary projects between science, visual art and community interaction. Hasselt has been a soloist in many world premieres of works by Johannes Schöllhorn, Wolfgang von Schweinitz, Sergei Newski, Sarah Nemtsov, Wolfgang Rihm, Sofia Gubaidulina, Carola Bauckoldt, Lera Auerbach and Beat Furrer. Recently her creativity is focused on conceptual experimental visual art, collaborating with the French artist Saâdane Afif. Between the years 2019 – 2021 she won an artistic scholarship from the Künstlerhaus Lukas/Ahrenshoop and the Federal Culture Foundation. He currently lives and works in Berlin.


The Lost Link I & II (The Å//A Universe-Hidden Songlines of the Baltic Sea project)
Video art, stereo sound composition, 7:50 min, 2023


Life usually finds a way
Video-sound Full HD Stereo, 16:00 min, 2023


? From Oder Hive
Video-art, Sound Stereo, subwoofer, 2024


  • The conceptual approach:


    FrauVonDa starts as an interaction between art and philosophy. This dualistic approach invites intellectuals from various fields such as: historians and art critics, historians, biologists, musicians and the general public to engage in active ways between phenomena, distant delicacy and aesthetic courage. Process, which allows the opening of discussion spaces before they exist. The ideal is an open community structure in which all sensory perceptions (human and non-human) have equal rights – heterogeneous, multifaceted, regional and international.